Rear Window Fascinating View Of Hitchcock

en mosaic - Rear Window Fascinating View Of Hitchcock. This mosaic provided for informational purposes only and share your mosaic knowlegde about fascinating view of Hitchcock’s thriller. Have you ever wondered what it would be like to see the events of a famous movie play out in real time? Filmmaker Jeff Desom did, and he used his editing and visual-effects skills to create an impressive film installation on that theme. See detail here en mosaic - Rear Window Fascinating View Of Hitchcock.

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‘Rear Window’ time-lapse panorama is a fascinating view of Hitchcock’s thriller. Have you ever wondered what it would be like to see the events of a famous movie play out in real time? Filmmaker Jeff Desom did, and he used his editing and visual-effects skills to create an impressive film installation on that theme.

Using photo and video manipulation software, Desom painstakingly sectioned shots from Alfred Hitchcock's famous thriller "Rear Window," stitching together the actual view from James Stewart's titular window. The result is an amazing panorama that depicts the events witnessed by Stewart's character from his Greenwich Village apartment -- and all in real time.

In "Rear Window," professional photographer L.B. Jeffries (Stewart) must spend the summer recuperating in his bedroom after an injury confines him to a wheelchair. With nothing else to keep him entertained, Jeffries spends his days watching his neighbours from his window. Although he usually sees mundane things such as housewives doing laundry, people going to work, or a sculptor sculpting, Jeffries begins to suspect that one neighbour in particular may have committed a terrible crime.

Desom's final piece is close to 20 minutes long, but his three-minute time-lapse "making of" video is just as awe-inspiring. Take a look at the sped-up slice of fictional life for yourself:

Since Hitchcock filmed nearly every window shot from exactly the same angle, Desom was able to combine the pieces with very little distortion. The filmmaker also stabilized any shots from the original film that contained camera movement and spliced them into the larger panorama.

The "Rear Window" project was likely a very time-consuming effort for Desom, but the results, as you can tell, are pretty spectacular.